Happy New Year and best wishes for 2010!
Tuesday, January 5, 2010
Best Books of 2009
Happy New Year and best wishes for 2010!
Friday, December 18, 2009
Jobs and the WPA Guide to Florida
Tuesday, December 15, 2009
WGA TV Award Nomination for Soul
Monday, December 7, 2009
Meridel Le Sueur Pioneered Women's Stories on the WPA
In the 1930s a young Meridel Le Sueur was living in Minnesota and writing about how desperate poverty pushed law-abiding women across the line of criminality. She was going to meetings with women in the Workers Alliance, writing “to raise our miserable circumstances to the level of sagas.” She had published several articles in New Masses, Anvil and other lefty magazines before she got a job on the Writers’ Project. (More in Soul of a People.)
On her own time, Le Sueur wrote up the stories of her fellow women, and in her novel The Girl, she created a composite portrait of a female character forced by circumstances to work at a speakeasy, which leads her to work as a prostitute, and later as a getaway driver in a bank holdup that goes wrong. The protagonist is eventually rescued by a group of homeless women who are probably communists.
When the novel was finally published in the 1970s, Le Sueur was known as a pioneer in the women’s movement. She called the book a “hosanna” from one generation of women to the next, a shout of joy and strength to “those wonderful women … who keep us all alive.”
“It was a white culture up to then,” Le Sueur said at a reunion of WPA writers in the 1980s. “There was no black movement,” she explained, “no women’s culture” on the radar before the 1930s. By gathering these stories, the WPA writers paved the way for new American histories.
Watch a free screening of Soul of a People this Wednesday at the American Art Museum in Washington, DC. Le Sueur's work was featured recently at the St. Paul public library.
Friday, November 27, 2009
Cold Thanksgiving on the Great Lakes
Saturday, November 21, 2009
Taking it to the Rocky Mountain State
In Denver, before an event at the Tattered Cover bookstore, I sat down with Gloria Johnston of Swing Vote magazine and Louie Wolfe at his BBQ spot on East Colfax St. near the state capitol. We talked about the WPA guides that Louie had collected through the years and how they'd guided his travels. And we talked about the WPA writers including Weldon Kees, who came to Denver after leaving behind his job on the Nebraska Writers’ Project, and his friend Rudolph Umland who came to visit him, and was surprised to find Kees had turned to poetry (with the encouragement of another WPA friend, as described in the book).
Louie suggested that before leaving Denver I visit Red Rocks, the park west of the city where an amphitheatre is set into the scarlet sandstone walls. He told me that Red Rocks had its own New Deal connection: the theatre was built by CCC workers. The WPA guide to Colorado calls them “public-spirited citizens” and notes that in the silt deposit layers of the stone walls where you can see “shells, teeth of curious fish, and plants,” archaeologists found the nine-foot-long thigh bone of an Atlantosaurus.
So I drove toward the mountains one afternoon and wandered the park as the late sun lit up the stone and the bare bronze back of the CCC worker statue.
Wednesday, November 11, 2009
Talking Books in the Texas Legislature

The recent Texas Book Festival featured, once again, authors discussing their books in the halls of the state capitol building, from literary biography in the House to novelists in the Senate. In one annex room, an SRO crowd reassessed the Writers’ Project and whether its members were un-American (as Congressman Martin Dies, of East Texas, had deemed as first chairman of the House Committee on Un-American Activities) or very American (as Jim Thompson, sometime-resident of Ft. Worth and the West Texas oil fields, had insisted).
Others in the Austin fray this year included Richard Russo, Jane Smiley, John Pipkin on Thoreau’s misdemeanors, and Douglas Brinkley on Teddy Roosevelt.